seraphcelene: (kickass zoe)
Picked up via [personal profile] runpunkrun.

The Military Industrial Complex as commodified spectacle. Hey Ho is dark despite the pastel colors and the mellow brightness of the melody. It is, in fact, dark because of them. The juxtaposition of the lyrics with the melody overlaid with the film images encourage an uneasy awareness of how war is bought and sold in a perpetual cycle of generational brain washing. Images of heroism (and superheroism) are traded for currency and for bodies: kids who grow up wanting to be like The Avengers and who in the process are acting in service to warmongers and merchants who are most interested in the profitability of war.

The refrain is a killer, and the editing highlights its theme with chilling grace. Cap elided with Bruce gave me goosebumps.

Title: Hey Ho
Creator: thuvia ptarth
Fandom: MCU/Avengers
Summary: Sound out the trumpet noise

hey ho, so it goes, the point of sale, the puppet show
the merchant kings of war and woe have turned their hands to labor
seraphcelene: (Spoke/Uhura by shadowserenity)
Yes, I'm a little late to the party, but not for lack of trying to get there. The MCU has its ups and downs for me. Its almost theres and its near-misses. Add to that the fact that I am not much of a binge watcher and what you get is a long, drawn out attempt to finish a TV show. Without the pressure of having to watch a live first run, just knowing that episodes are there and that I can catch up later means that unless a series is crazy compelling (I'm looking at you Sherlock Holmes and Stranger Things) then I don't necessarily feel rushed to watch … anything. It's at my leisure and with the million and one must do things that exist in the course of a week, Netflix TV series typically get abandoned on the back burner.

Despite my love for the MCU on the actual big screen, I haven't been as committed to the plot arcs happening on the little big screen. I loved what I saw of Agent Carter and I've been a casual, at best, Agents of Shield viewer. Daredevil was intriguing, but at three episodes in I was intrigued without being committed and never finished it. Then came Jessica Jones and it was love at first sight. Kristen Ritter was perfection and I gobbled up the thirteen episodes in quick time. And then there was Luke Cage … now, Luke Cage was a long, slow burn. Enticed by all of the yumminess that is Mike Colter, I wanted to love Luke Cage from jump street. Alas, I did not. I liked it, it was entertaining, but even with the amazing Merhershala Ali chewing up scenery as the villainous Cottonmouth, it took awhile for me to commit. So, I started it in 2016 and finished the series two years later.

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