Aug. 13th, 2024

seraphcelene: (Default)
I almost hate to keep circling the drain on what this season of IwtV has done, but it's so choice and so intentional and it makes my little writer's heart sing. I love it because I love narrative. Storytelling in all of its nuanced, complex, diverse ways is a thing that fascinates me to no end. An unreliable narrator is arguably one of my favorite things because I already have an almost immediate distrust of the narrative voice. So, when an author does that shit on purpose? 😍

Oh my Fucking Gods! I have a hard on for that shit because who do you trust, what's the truth, how do we understand the story we are being told? I love the act of identifying loosely patched over edges and pulling at loose threads. There's a lie here, someone is playing all up in my face and I want the answers! And a really good writer who implements an unreliable narrator leaves tells all the fuck over the place. After all ....

"You cannot script a hurricane."

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seraphcelene: (Default)
Well. Damn.

"Arson is a crime of passion."

We always knew how this was going to end and it was both satisfying and anti-climatic. The fire? I wanted more of it. I wanted to watch the Theatre des Vampires WRITHE while it burned. The tragedy of Claudia's death, the snuffed potential of her immortality, in episode seven demanded it. The way she fought for herself and Madeleine, the way she fought SO HARD to be heard demanded a reckoning reflected from the eyes of her tormentors. I wanted the coven, and especially Santiago to SUFFER.

The ending was peculiarly cold in comparison to Alderman Fenwick back in season 1. His death was so personal in a way that the fire, despite its passion, was not. Maybe its because most of the coven were locked in their caskets so we only got their screams when I wanted them to SEE their executioner and look him in the eyes while he tore them to pieces. Claudia DESERVED that level of retribution.

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